When I was a kid, we tuned our strings one at a time. And we liked it.
One kid had a tuner, the rest of us just did relative tuning based on the low E string. This ensured we were always in tune with ourselves, never in tune with anyone else.
All the sudden about a year ago, everyone starts talking about polyphonic tuners. ”Tune all your strings at once!” they say. ”Stop writing like an old man!” another shouts.
I didn’t get it at first. I have to tune each string, so why do I want to see them all at once?
Then a few months ago I saw a
DigiTech Hardwire Series HT-6 Polyphonic Pedal Tuner pedal in person. I plugged it in, I strummed. The giant display on the pedal lit up like a very tiny twinkly christmas tree. Everything was in order, I see all the lights line up… wait a minute, what is this? D String! Get in line with everyone else.
A quick turn and now I was REALLY in tune. I strummed, I turned a peg, I strummed again, and I was done. I didn’t have to go through the strings that were off. I got it.
As a time saver at home or in practice, meh.
But on stage! Oh, on stage you can reduce the time you keep your adoring fans waiting by like a gazillion percent.
So, I hate to be the one to tell you, but your current tuner sucks. Sorry. You are going to need one of these. Check out the details here.
Tags: polyphonic tuners, stomp box, tuner